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・ La Belle Châteauneuf
・ La Belle Dame sans Merci
・ La Belle Dame sans Mercy
・ La Belle Epoque (barge)
・ La Belle Epoque (Kent song)
・ La Belle et la Bête
・ La Belle et le Bad Boy
・ La Belle Etoile
・ La belle excentrique
・ La belle ferronnière
・ La Belle Fille Masquée Poitrine
・ La Belle Histoire
・ La belle Hélène
・ La Belle Iron Works
・ La belle jardinière
La Belle Juive
・ La Belle Lucie
・ La Belle Meunière
・ La Belle Montessori School
・ La Belle Noiseuse
・ La Belle Otero
・ La Belle Paree
・ La belle province
・ La Belle Province (restaurant)
・ La Belle que voilà
・ La Belle Station
・ La Belle Titcomb
・ La Belle Verte
・ La belle équipe
・ La Belle, Missouri


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La Belle Juive : ウィキペディア英語版
La Belle Juive

''La Belle Juive'' (literally, "the beautiful (female) Jew") was an archetype of nineteenth-century romantic European literature. The typical appearance of the ''belle juive'' included long, thick, dark hair, large dark eyes, an olive skin tone, and a languid expression. Her personality traits could be portrayed either positively or negatively.The positive portrayal of the ''belle juive'' was noble, pure, loyal, and exhibited qualities similar to Christian martyrdom. The negative portrayal was sly, coquettish, and overly sexual.
==Examples of ''La Belle Juive'' in literature==

Perhaps the most celebrated Jewish heroine was Rachel, of Jacques Halévy's grand opera ''La Juive'' (1853). Rachel falls in love with a Christian prince who disguises himself as Jew to court her. When Rachel realizes the deception, she denounces him, landing both of them in trouble. The cardinal promises her that she will be saved if she converts to Christianity. She refuses, and is sent to her death in a cauldron of boiling water.
Another popular ''belle juive'' is Rebecca from Sir Walter Scott's novel ''Ivanhoe''. Rebecca falls in love with the title character, but they cannot be together because he is Christian. She does not act on her feelings but instead sacrifices herself for her love. She takes care of Ivanhoe throughout the novel, and is even gracious enough to give his future wife a fond farewell at the end of the book.
Though virtually all of the literature about ''la belle juive'' is Western work, they can be about Eastern characters. A famous example of this archetype from the Eastern world is Sol Hachuel, also known as Soleika. Sol, a Moroccan Jewess, is accused by a Muslim neighbor of converting to Islam and then rejecting her newfound faith. Sol is sentenced to imprisonment, and then death. The sultan tells her that she can be freed and rewarded with jewels and a husband if she converts, but she refuses. She is beheaded in the town square of Fez. Later she became a martyr for both Jews and Muslims alike. Many Spanish and French poets penned her story in a romantic style, utilizing Sol as the ''belle juive'' archetype.
One prominent example of a negatively portrayed ''belle juive'' is Salome. Originally a Biblical character, Salome is said to have danced seductively for King Herod, so that he would behead John the Baptist for her. She represents sexuality, foolishness, and danger. She has been the subject of many works of art, including Salome (play) by Oscar Wilde and its opera adaptation by Richard Strauss Salome (opera). Both feature her dance for King Herod, called the Dance of the Seven Veils.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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